James McNeill Whistler review – painter’s work shines through attention-grabbing life story

The latest Exhibition on Screen documentary does a good job balancing the famous scandals with the subtle brilliance of his artTimed to coincide with Tate Britain’s impressive gallery show – which closes at the end of September, so you haven’t long if you’ve missed it so far – this latest from the Exhibition on Screen strand does a fine job in outlining the ins and outs, and ups and downs of this still somewhat divisive artist who, Whistler’s Mother notwithstanding, is still probably most famous for winning a farthing in damages in his “flinging a pot of paint” libel action against John Ruskin. The film assembles the customary lineup of notables including the Tate’s Carol Jacobi, critic Rachel Campbell-Johnston and art historian Stephen Calloway, the latter of whom’s dandyish attire and Colonel Sanders goatee suggests he has very much bought into the Whistler aesthetic.In fact, as all the interviewees are keen to point out, Whistler’s self-constructed persona, always with an eye to making a splash, is as significant an element of his artistic presence as the art itself – even if, as I can’t be alone in thinking, there’s something fundamentally irritating about his southern-genteel…

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