The Newer World by Sebastian Barry review – a near-miracle of storytelling

The third in a loose American trilogy follows the epic journey of a formerly enslaved man in the aftermath of the civil warBut is not the story as good as the truth?” asks Tennyson Bouguereau, the narrator of Sebastian Barry’s The Newer World. Tennyson, a formerly enslaved man in post-civil war America, recounts his life story in ways that call to mind the age-old debate about whether it’s better to get our history from novelists or historians. While historians might argue that there is no contest, the question hints knowingly at the novelist’s counter-argument. It sent me searching for a line from Barry’s 2008 Costa-award winning novel, The Secret Scripture, in which the narrator describes history as “a fabulous arrangement of surmises and guesses held up as a banner against the assault of withering truth”.In her Reith Lectures, Hilary Mantel suggested that history is “what’s left in the sieve when the centuries have run through it”, but I tend to think of it as more of a butterfly net. Historians chase after and capture the things they deem significant. They leave things out, often deliberately. Barry’s entire body of work is a prime example of fiction’s ability to fill history’…

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